That is also the worst thing it has done – opening the floodgates to billions of mediocre and uninteresting photographs, often posted (in fact all too frequently posted) on websites devoted to high-end photographic equipment. One might almost be tempted to explore whether some sort of inverse relationship exists between owners of the most expensive cameras and the interest of the pictures they take...
But put that aside. There is an interesting article here by photographer and picture editor for both Time and Life, John Loengard. A new name to me. Which I'm sure reflects my appalling ignorance rather than his obscurity.
I enjoyed it because he reduces what is often a grossly mystified subject – how to take good, interesting photographs – to the plainest of speaking. He says:
"It is not important if photographs are “good.” It’s important that they are interesting."
He also says:
"...I assumed that 'good photographers' took 'good pictures' because they had a special eye. What I found was that good photographers take good pictures because they take great pains to have good subjects in front of their cameras."
Those three sentences alone constitute a photography class...